Spot Light

From a Gallerist’s eye: “Hard work over talent” – Sasha Wolf.

“Hard work over talent”, was one of the advises that gallerist Sasha Wolf gave in today’s inspirational lecture. Sasha currently owns the Sasha Wolf Gallery in Tribeca, New York, which primarily focuses on photography, her obsession, more specifically on post-documentary photography. She explained how there are some very talented artists that haven’t made it because they do not know how to promote themselves, while other not so talented artists have gotten very far because of hard work, networking, and connections.

Sasha shared with us some very refreshing, and down to earth advises during her lecture. She spoke with an educational and straight the the point perspective, from a gallerist to an artist. She opened with a clear statement on how gallerists are not corporations, and explained that sometimes artists are intimidated by gallerists because of this notion. She stressed out that gallerists are simply persons, (yes, just like you and me!), and that we as artists should not be so intimidated to approach them with a correct and polite attitude.

Sasha explained to us how difficult it is for an artist to make a living out of only creating art. She says that there are millions of artists in the world, and very few collectors that are willing to buy art. So she strongly encourages artists to get a day job, one that you will enjoy doing. She says that this doesn’t make you a lesser artist, and that you should find a way to do them both. She believes that sometimes an artist could feel scared of creating art when they are economically unstable, so they do better art when they can pay the rent and put some food on the table.

Some advises from Sasha to artists are:

Set an alarm!

Make goals.

Do checklists.

Have due dates.

Continue getting into this habit, even if there is nobody over your shoulder! Find someone in your life that will help you stick with this. You must stick to your goals and get them done. This is your job.

As a gallerist, she is not attracted to small sized post cards she receives in the mail, because she thinks that the work presented simply gets lost. So if the artists wants to send post cards, she encourages sending oversized ones (5×7 inches for example) with your work and very simple graphics.

As far as pricing a photograph for a gallery, she mentioned three key elements that determine the price:

1. The costs of creating the piece, both the materials and the time it took for the artist to create it.

2. The cost of maintaining a gallery, and the cost of making a show.

3. How much the market is willing to pay.

She also says to never assume who the collector is, because one never knows who will end up buying your photograph. Many times the buyer simply falls in love with the piece for different reasons, and even if they don’t have the money to pay for it at the moment, they will be willing to save some up to invest in it. She reminded us that collectors are also persons like you and me, and feel emotionally attached to a piece when they buy it.

The lecture completely shook me and was a wake up call to smell reality. We have to get our work out there! We have to promote ourselves! Sasha strongly believes in artists who create good work, and wants them to succeed.

“Shoot on whatever you want, print on whatever you want, just make good work.” – Sasha Wolf.

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Featured Photographer: James Porto.

Featured Photographer: James Porto.

Yesterday was the first meeting with my super cool Thesis advisor: James Porto.

© 2010 James Porto

A crisp smell of fresh paint and a breathtaking view of the Hudson River welcomed my arrival to James Porto’s fabulous studio. Its definitely something to look up to, and dream of having one day (hopefully in the near future!).

James Porto is one of the top commercial photographers in New York. He is so hot in the industry that he was recently hired for a big job with a VERY big budget. James took over 50,000 photographs in order to achieve 12 complex composites, plus a trip to Costa Rica was included! (so cool).

© 2010 James Porto

© 2010 James Porto

You can see some of these images at his web page here.

When I showed him my images, his critiques were very straightforward, sincere, and on the spot, I was “ooohhh yes, how didn’t I see that before?” Well 25 years of experience makes a difference! James pointed out that the strongest images were the most simple ones, and then he taught me a very simple yet strong notion, KISS:

Keep

It

Simple

Stupid

What a clever way to stay focused!

As a visionary person, James was one of the first and very few photographers who experimented a lot with photographic processes. I was fortunate when James shared with me some of his first composites which he created back in 1988, yes, BEFORE Adobe Photoshop even existed!

He explained that he used an 8×10 camera and creatively crafed a unique “in camera” technique, as well as experimenting in the darkroom. The images were stunning and way ahead of his time, in fact he mentioned how some of his clients weren’t used to digital files, so he had to convert the digital files to film, in order for them to accept it!

Amongst his great inspirations are Jerry Uelsmann and Peter Turner, master surrealist photographers who created composites in the darkroom back in the 60’s. He also admires Robert and Shana Parkeharrison’s work, who created multiple image composites in the darkroom as well, most noted for the amazing “The Architect’s Brother” body of work.

James advise for all emerging photographers is:

“Be your own fiercest critical editor”.

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